Currents
No stranger to turning a critical eye toward both the external commotion and internal
battles that rage deep within the confines of one’s own mind, Connecticut post-
metalcore innovators Currents don’t pretend that life is a bed of well-manicured roses.
Rather, it has been by way of exploring the forbidden realms of a tortured psyche and
ferociously searching for meaning amidst uncertain chaos that the band has won the
hearts of metal fans across the globe; a feat evidenced by 80+ million catalog streams
and packed tours supporting the likes of Ice Nine Kills, Thy Art is Murder, August Burns
Red, As I Lay Dying, We Came As Romans, Fit For A King, and more.
Keen on backing up impactful themes such as heartache, abandonment, climate
change, and animal abuse, with technical riffage and emotive atmospherics, Currents’
second full-length album The Way It Ends (2020) saw the group connect with their
largest audience to date, selling over 6,000 vinyl despite the global touring shutdown,
rocketing to No. 2 on the Top New Artist and Current Hard Rock Billboard Charts, and
earning glowing praise from prominent outlets such as Kerrang! who described the
band’s work as, “A narcotic blend of melodrama and madness.”
Now, back with their first new material since their popular sophomore record, vocalist
Brian Wille, bassist Chris Pulgarin, drummer Matt Young, and guitarists Chris Wiseman
and Ryan Castaldi’s latest single ‘The Death We Seek’ not only taps back into this
familiar darkness, but continues to push the story forward.
Recorded in December 2021 at guitarist Chris Wiseman’s studio in Beacon, New York,
Currents once again called upon The Way it Ends / I Let the Devil In producer Ryan
Leitru (In Search Of Solace, Like Moths To Flames, WCAR), and seasoned mix/
mastering engineer Jeff Dunne (Wage War, Silent Planet, Make Them Suffer) to help
guide the sonic direction of the new track.
Together, the team churned out a seething blend of progressive metalcore-laced
elements and moody post-hardcore to fuel the fire of Currents’ narrative message.
“The single follows the loose concept of two individuals attempting to stop a
looming apocalypse, only to be sabotaged by forces beyond their control or
understanding,” frontman Brian Wille explains. “The song itself is about the
weight of our choices and our responsibility for their outcomes. We’re also
attempting to paint a picture of the world surrounding the overarching story we
hope to create.”
“This song serves as a continuation to ‘The Way it Ends’ while also calling back
to our first record ‘The Place I Feel Safest.’” the singer continues. “It was written
around the time TWIE was released, so it carries a similar feel. We thought it was
a good way to build on the story behind the music and reintroduce ourselves to
the world after a period of relative silence.”
Biding their time for the right moment to strike, Currents – much like the apocalyptic
collapse foretold in their latest single – plow ahead like an unstoppable force,
expressing their vision through anguished eyes, pounding riffs, and the powerful desire
to lay the groundwork for the plotlines of a larger story still to come.
battles that rage deep within the confines of one’s own mind, Connecticut post-
metalcore innovators Currents don’t pretend that life is a bed of well-manicured roses.
Rather, it has been by way of exploring the forbidden realms of a tortured psyche and
ferociously searching for meaning amidst uncertain chaos that the band has won the
hearts of metal fans across the globe; a feat evidenced by 80+ million catalog streams
and packed tours supporting the likes of Ice Nine Kills, Thy Art is Murder, August Burns
Red, As I Lay Dying, We Came As Romans, Fit For A King, and more.
Keen on backing up impactful themes such as heartache, abandonment, climate
change, and animal abuse, with technical riffage and emotive atmospherics, Currents’
second full-length album The Way It Ends (2020) saw the group connect with their
largest audience to date, selling over 6,000 vinyl despite the global touring shutdown,
rocketing to No. 2 on the Top New Artist and Current Hard Rock Billboard Charts, and
earning glowing praise from prominent outlets such as Kerrang! who described the
band’s work as, “A narcotic blend of melodrama and madness.”
Now, back with their first new material since their popular sophomore record, vocalist
Brian Wille, bassist Chris Pulgarin, drummer Matt Young, and guitarists Chris Wiseman
and Ryan Castaldi’s latest single ‘The Death We Seek’ not only taps back into this
familiar darkness, but continues to push the story forward.
Recorded in December 2021 at guitarist Chris Wiseman’s studio in Beacon, New York,
Currents once again called upon The Way it Ends / I Let the Devil In producer Ryan
Leitru (In Search Of Solace, Like Moths To Flames, WCAR), and seasoned mix/
mastering engineer Jeff Dunne (Wage War, Silent Planet, Make Them Suffer) to help
guide the sonic direction of the new track.
Together, the team churned out a seething blend of progressive metalcore-laced
elements and moody post-hardcore to fuel the fire of Currents’ narrative message.
“The single follows the loose concept of two individuals attempting to stop a
looming apocalypse, only to be sabotaged by forces beyond their control or
understanding,” frontman Brian Wille explains. “The song itself is about the
weight of our choices and our responsibility for their outcomes. We’re also
attempting to paint a picture of the world surrounding the overarching story we
hope to create.”
“This song serves as a continuation to ‘The Way it Ends’ while also calling back
to our first record ‘The Place I Feel Safest.’” the singer continues. “It was written
around the time TWIE was released, so it carries a similar feel. We thought it was
a good way to build on the story behind the music and reintroduce ourselves to
the world after a period of relative silence.”
Biding their time for the right moment to strike, Currents – much like the apocalyptic
collapse foretold in their latest single – plow ahead like an unstoppable force,
expressing their vision through anguished eyes, pounding riffs, and the powerful desire
to lay the groundwork for the plotlines of a larger story still to come.
