99Rock Presents

Pop Evil

with Zillion

Tue, Sep 20

Doors: 7:00 pm

Show: 8:00 pm
Ages 16 and Up
$19.99 - $32.00
Additional Info

This event is partially seated.

To see a large version of the seating chart go here: https://irp.cdn-website.com/6f06eb1e/dms3rep/multi/Full+Seated+and+Standing.jpg

Pop Evil

POP EVIL is the bridge between life-affirming hard rock hit-making and the burgeoning new
frontier of genre-bending postmodern playlists. A crowd-pleasing band unafraid to embrace the
heaviest and most melodic ends of the spectrum, with a seemingly endless stream of No. 1 hits
veering between fist-pumping anthems and timeless power ballads. POP EVIL delivers their most
ambitious rebirth yet with a jaw-dropping sixth album.
“Let the Chaos Reign” and “Work” arrive as a twin assault of invigorating readymade hits for 2020,
from an album filled to the brim with a dozen tracks each worthy of a dedicated spotlight. “Let the
Chaos Reign” is the heaviest single the band has ever dropped, a rousing fight song of
self-determination and rising to meet any challenge with courage and strength. By contrast, “Work”
puts its heavy guitars atop grooving rhythmic punch and EDM flourishes, as it champions the
working-class heroes struggling to persevere across all industries today.
“We won’t bore people with the same song over and over,” assures charismatic frontman and
bandleader Leigh Kakaty, who co-founded the band in Michigan. “When you come to our live show,
we feel like there should be an ebb and flow, peaks and valleys, that are similar to real life.
Sometimes you’re up, sometimes you’re down. We like to take people on a journey when they listen
to our music or come to see us live.”
Pop Evil has been a staple at major festivals and in theaters and clubs for nearly two decades,
despite the group’s relative youth. As they’ve ruled the roost with No. 1 Billboard Rock singles like
“Trenches”, “Deal with the Devil”, “Torn to Pieces”, “Footsteps”, and “Waking Lions”, they’ve taken
their inspired message to the people, on tours with modern rock titans and veteran acts alike.
One listen to any of the songs from the impressive body of work laid down by the band on Lipstick
on the Mirror (2008), War of Angels (2011), Onyx (2013), Up (2015), and the self-titled smash Pop
Evil (2018) confirms exactly how Pop Evil built such a diverse fanbase.
On their go-for-broke sixth album, the group doubles down on the yin-and-yang at the heart of their
sound. There’s no other band that bounces between a song like “Waking Lions” and “A Crime to
Remember” or “100 in a 55” so effectively and with such overwhelming success.
How are Kakaty, longtime guitarists Dave Grahs and Nick Fuelling, bassist Matt DiRiot, and
powerhouse drummer Hayley Cramer able to flip the spectrum so seamlessly? “If my voice sounds
good on it, the hook is catchy and memorable with a single listen, and it will go over well live, we’re
not afraid to draw from any genre that we see fit for inspiration,” says Leigh.
Even for a Pop Evil record, that contrast and fearless genre-defying cross-cultural pollination have
never been stronger than on album number six. The preproduction process yielded close to 30
songs, whittled down to the most potent 12 that represent everything Pop Evil is about.
Songs like “Inferno”, “Breathe Again”, and “Survivor” sound equally destined to take their place in
the pantheon of Pop Evil signature songs that mean so much to devoted fans and casual listeners
alike. Each is just as poised to conquer new genre formats.
No. 1 smash “Waking Lions” was designed “to remind our fanbase that we’re not afraid to turn up
the guitars. Just because we’re Pop Evil, don’t forget about that ‘evil’ element.” The new LP builds on
the foundation laid by that 2018 album specifically, springboarding with melodic heft and
hook-filled heaviness blending hard rock, alternative, and pop with punch.
The band bunkered down in Los Angeles in the winter of 2019 to put the finishing touches on the
new record, working with new creative teams of producers and collaborators, each enlisted to
emphasize the uniquely varied aspects of the band’s sound. “We worked with multiple producers
that fit each song’s dynamic,” the band’s hardworking singer explains.
Collectively, Pop Evil’s previous five albums account for over a million copies in worldwide sales
and over 600 million streams.. Lipstick on the Mirror found its way to listeners via a major label
re-release, despite the business trouble that resulted in the band tearing up their major label
contract on stage, in what Spin Magazine called one of the Ten Best Moments of Rock on the Range.
War of Angels brought Pop Evil to a worldwide audience.
Up debuted at No. 25 on the Billboard 200 and produced no less than three Top 5 Mainstream Rock
singles: “Ways to Get High”, “Take it All”, and “Footsteps”, which went to No. 1. This was on the
heels of the three No. 1 Rock singles from Onyx. Pop Evil debuted at No. 5 on the US Top Rock
Albums chart. “Be Legendary” was one of the Top 10 most played songs of 2019.
Pop Evil combines the bigger than life bombast of Mötley Crüe or KISS with the earnest warmth of
Pearl Jam, mining the same depths of creativity and emotion found within the cosmic riff foundation
of legendary active rock, hard rock, and modern rock acts like Soundgarden and Alice In Chains. The
Pop Evil faithful are a broad and dedicated group of fans around the world, people whose support
was earned, one by one, show by show.
This is a band that unapologetically flies the flag for their chosen form of creativity. Rock n’ roll
music is as American as apple pie. It’s particularly important in the Midwest, where Pop Evil was
born. Fans who are living paycheck to paycheck, struggling to support families with a 9 to 5 gig, rely
on the music made by bands like Pop Evil to help them endure the daily grind.
The signature Pop Evil elements of the past are found in the music they make today, amplified and
sharpened like never before. The utmost respect is paid to the fans; part of that respect is in making
sure to never simply repeat what’s come before. The “Evil” will move the crowd. The Pop embodies
groove, vibe, and atmosphere, extending a warm welcome to all comers.
“We’ve got loud and heavy guitars while staying true to the groove we’ve had with songs like ‘Take
it All’ and ‘Footsteps’. We have that ‘Pop’ and that ‘Evil’ just as we’ve always done. And with this
record, we’ve taken another big step into our own definitive sound and identity.”
“That’s our thing,” Kakaty declares. “People know they’re going to get that Pop Evil.”
Vocalist - Leigh Kakaty
Bass - Matt DiRito
Drums - Hayley Cramer
Rhythm Guitars - Davey Grahs
Lead Guitarst - Nick Fuelling
By Ryan J. Downey

Survive.Not much grows north of the Arctic Circle, except dreams and psychosis.Born to an Alaskan drug house protected by a pet wolf, Zillion nurtured both. It’s the classic call to all who destroy or create. Tell your story or your story tells you. Zillion learned to surf his avalanche, to climb out of the belly of the whale, and turned his dirt into fertilizer to grow something that only blooms in the face of darkness.Trauma frames existence.This awakening birthed a dark genre-less musical journey that explores the pliability of the human mind, the ringmasters we espouse as gods, the fragility of innocence and beauty, and the polarity of our emotions and the distortions they illuminate.It spawned a show, as if Cirque Du Soleil hired Andre Leon Talley andDavid Lynch as co-artistic directors.Zillion redefines live theater as Alive Theater.Sight, sound, smell, touch, and a story that pollutes your soul, dropkicks your gut, and highjacks your imagination, altering you forever.Chaos chases nothingness.Zillion is a puzzle to solve, a magic trick to be revealed, a doorway into a mad world that defiantly makes more sense than the one we live in.It’s a preying canid on stage, stalking us like our DNA, haunting us in our hometowns, possessing us throughthe people we love.If all the world’s broken toys made a community, Zillion would be their playground.Walls become doors.